analysis and design-related application of japanese design principles

theoretical
analysis
& structuring

The research investigated pre-modern Japanese aesthetics from the 12th to the 17th century, focusing on Zen concepts of design, action, and perception. This theoretical scope encompassed temporality, space, materiality, and social relationships, centering on transience, reduction, and emptiness. To bridge abstract philosophy with physical design, a custom framework was developed. This schema deconstructs each principle by examining its origin, sensory perception, interaction, essence, reflective questions, and design parameters including materials, haptics, color, and form. To ensure a profound investigation, the scope was limited to four distinct principles. These offer contrasting qualities to isolate formal, spatial, and atmospheric aspects.

fukinsei
(asymmetry)

Focusing on shifting balance, varied proportions, and the avoidance of central axes to create formal tension alongside equilibrium.

ma
(in-between)

Utilizing openings, interstitial spaces, and emptiness as an active component of form and spatial relationships.

yūgen
(subtlety)

Exploring ambiguous geometries, soft transitions, shifting cross-sections, and hidden depths that evade complete comprehension at first glance.

seijaku
(tranquility)

Emphasizing formal restraint, radical reduction, clarity, and the absence of ornamentation to achieve a tangible sense of calm.

form study:
the candle holder

The transition into physical exploration began with a dedicated form study using the candle holder. As an archaic, everyday object, this minimalist typology serves as a controlled testing ground. The focus remained strictly on form, proportion, volume, and emotional impact. Additionally, the study incorporated spatial presence, analyzing how different viewing angles and the interplay of light and shadow alter the perception of the object.

fukinsei
(asymmetry)

ma
(in-between)

yūgen
(subtlety)

seijaku
(tranquility)

object
study:
applied
typologies

Building upon the initial form trials, the project advanced into a comprehensive object study. Here, the previously isolated design principles were paired, combined, and translated into more complex structures. This phase resulted in three distinct objects spanning different product typologies. Together, they demonstrate a wide spectrum of functional applications. The final pieces visualize how abstract theoretical insights can be transformed into independent, transferable design methodologies.

Ultimately, this thesis delivers a functional framework that transforms traditional Japanese principles into a progressive design philosophy for contemporary products.